Fringe Facsimiles | Fine art edition print
FRINGE | A LEISURELY MANIFESTO | FINE ART EDITION PRINT | 110cm x 70cm | 285gsm Fabriano paper / natural edge / embellished
FRINGE FACSIMILES
A LEISURELY MANIFESTO: 20 +1 = WHEN WE GOT THERE THERE WASN’T A THERE THERE.
The unlikely attraction of two global icons: Jason Freeny and Gertrude Stein forms the basis of the latest FRINGE print. #10 of 12 in the Facsimile series makes oblique reference to the artist’s previous print claiming ‘2020 you fucked us good and proper.’
Now, the latest work reflects on the global expectation that 2021 would be a year of massive change. Paraphrasing the words of the great art collector, Gertrude Stein, we are reminded that the more things change, the more they stay the same.
The art of Freeny makes an appearance – and in this context reminds us that appearances are not everything. Even the stereotypical, pristine beauty of a Barbie Doll is upstaged by the reality that all humans are really made up of blood and guts.
Price: R10800.00 per print.
Price for the entire series (13 prints) R108000.00
(edition size 40)
FOR INFORMATION EMAIL
info@daville.co.za
WELCOME ON BOARD | PHILIPPE SHANGTI | FINE ART PHOTOGRAPHY EDITION SIZE 7 |
150CM X 150CM
Contemporary French photographer Philippe Shangti is known for his glamorous aesthetic, colorful sense of humor and a provocative aspect which seeks to break down taboos. Originally from Toulouse in the south of France, Shangti was selected in 2019 to represent his county at the 58th Venice Bienalle and currently has an exhibit on display at the Museum of Fine Arts in Carcassonne, France. His work is highly sought after and has garnered the attention of investors and collectors worldwide.
FOR INFORMATION EMAIL
info@daville.co.za
BLAZING SADDLES | DAVID YARROW | FINE ART PHOTOGRAPHY EDITION SIZE 12 |
142CM X 223CM OR 93CM X 147CM
David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
FOR INFORMATION EMAIL
info@daville.co.za
FRINGE | AUTHORITY VS VELOCITY | FINE ART PRINT | 100CM X 70CM | GOLD LEAF embellished – release date 15\01\2021
“Facsimile Series” by Fringe is currently on its eighth “piece” release. The series is comprised of 12 works which started in June 2020 and will end in June 2021 with a thirteenth bonus work to all box set collectors.
- REDACTION – release June 2020
- BELIEVING – release July 2020
- PLAYTIME – release August 2020
- THE BIG APPLE – release September 2020
- IS ART REALLY ANYTHING YOU CAN GET AWAY WITH? – release October 2020
- ELEVEN ELEVEN – release November 2020
- MEIN EYGENE OIGEN – release December 2020
- AUTHORITY VS VELOCITY – release January 2021
- OUR ONLY TERM – release February 2021
- A LEISURELY MANIFESTO – release March 2021
FOR INFORMATION EMAIL
info@daville.co.za
FRINGE | MEIN EYGENE OIGEN | FINE ART PRINT | 100CM X 70CM #7 MEIN EYGENE OIGEN – release date 15/12/2020
ROGER BALLEN | SMOKED OUT | ARCHIVAL PIGMENT PRINT | 80CM X 80CM
Daville Baillie Gallery takes great pleasure inviting you to the opening of the exhibition
ROGER THE RAT
by renowned photographer Roger Ballen
to coincide with the publication of his new book
on 6 December 2020
11am to 2pm
A selection of images from the artist’s series Roger the Rat will be exhibited until February 2021. The opening event, to coincide with the First Sundays gatherings at Victoria Yards, will include a launch of the book published by Hatje Cantz (Germany) and distributed by Jonathan Ball in South Africa.
ABOUT ROGER THE RAT
Released in the Year of the Rat, the photographic series and book Roger the Rat is surreal, refined and disturbing. Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching. In his hands, the documentary power of the camera merges with the ingenious power of his imagination to peer into the soul and get under the viewer’s skin. Elaborately produced between 2015 and 2020, his new project is fresh and, amazingly, alive with pop art elements
In impressive, sharp black-and-white shots, he follows the life of a creature whose body appears human, but who has the head of a rat. We witness absurd scenes that, deconstructed and wrested from everyday gestures, reveal the suppressed aspects of human existence.
ABOUT ROGER BALLEN
Born in New York City and living in South Africa since 1982, Roger is one of the most important and original art photographers working today. He is best known for his probing, often challenging images that exist in a space between painting, drawing, installation, and photography. His universally recognised style is now commonly referred to as a ‘Ballenesque’.
ROGER BALLEN | SMOKED OUT | ARCHIVAL PIGMENT PRINT | 80CM X 80CM
Daville Baillie Gallery takes great pleasure inviting you to the opening of the exhibition
ROGER THE RAT
by renowned photographer Roger Ballen
to coincide with the publication of his new book
on 6 December 2020
11am to 2pm
A selection of images from the artist’s series Roger the Rat will be exhibited until February 2021. The opening event, to coincide with the First Sundays gatherings at Victoria Yards, will include a launch of the book published by Hatje Cantz (Germany) and distributed by Jonathan Ball in South Africa.
ABOUT ROGER THE RAT
Released in the Year of the Rat, the photographic series and book Roger the Rat is surreal, refined and disturbing. Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching. In his hands, the documentary power of the camera merges with the ingenious power of his imagination to peer into the soul and get under the viewer’s skin. Elaborately produced between 2015 and 2020, his new project is fresh and, amazingly, alive with pop art elements
In impressive, sharp black-and-white shots, he follows the life of a creature whose body appears human, but who has the head of a rat. We witness absurd scenes that, deconstructed and wrested from everyday gestures, reveal the suppressed aspects of human existence.
ABOUT ROGER BALLEN
Born in New York City and living in South Africa since 1982, Roger is one of the most important and original art photographers working today. He is best known for his probing, often challenging images that exist in a space between painting, drawing, installation, and photography. His universally recognised style is now commonly referred to as a ‘Ballenesque’.
FRINGE | ELEVEN ELEVEN | FINE ART EDITION PRINT | 110cm x 70cm – release date 11/11/2020
FRINGE | IS ART REALLY ANYTHING YOU CAN GET AWAY WITH? | FINE ART EDITION PRINT | 110cm x 70cm – release date 15/10/2020
FRINGE | THE BIG APPLE | FINE ART EDITION PRINT | 110cm x 70cm – release date 15/09/2020
FRINGE | PLAYTIME | FINE ART PRINT | 100CM X 70CM | GOLD LEAF embellished – release date 15\08\2020
FRINGE | BELIEVING | FINE ART EDITION PRINT | 110cm x 70cm – release date 15/07/2020
FRINGE | REDACTION | FINE ART EDITION PRINT | 110cm x 70cm – Release date 15/06/2020
FRINGE FACSIMILES
A Year in the Life of Fringe
From the mind of the artist known simply as Fringe, South Africa’s undisputed King of Pop, comes a new series of prints about the power and powerlessness of words. FACSIMILES are, by definition, ‘exact copies of written or printed material,’ and these the artist presents as messages from a place of personal introspection.
In FRINGE FACSIMILES, the artist presents one print a month over the period June 2020 to June 2021. The series is a long-running narrative, of subversive quotes from questionable and questioning sources.
The new print series performs as a facsimile of messages, taking us back to a time before the social media, namely, the time of the old fashioned fax, and driving us forward with cryptic clues, to the present day.
#1 REDACTION
REDACTION IS THE ONLY WAY OF MAKING THE UNTHINKABLE THINKABLE… FREE THINKING RULES
This full colour print is the first in the series and introduces the idea that ‘Words are Deeds’, the famous quote by philosopher Wittgenstein that encourages us to think before we talk. Here, Fringe the artist takes on the barriers to free speech and brings a protest message into his Pop Art, with a funny mixture of irony and satire.
# 2 BELIEVING
IF SEEING IS BELIEVING THEN OPEN YOUR FUCKING EYES THE WORLD NEEDS LOOKERS MORE THAN IT NEEDS SEERS
This full colour print is the second in the series and rips into blue-sky idealists. It shatters dreams, yet delivers its hard-edged message without being too bleak. It muses on our electrifying present moment, a time in which people are being torn apart, and are coming together as friends and adversaries in dramatic displays of anger and revolt. It’s a colourful appeal for rational thought.
# 3 PLAYTIME
For the third in his series of colour prints, to be rolled out monthly over a year, Fringe magnifies the fabulous message of Pop, while scaling back on text.
The over-handled toy, that has found its way into the most recent works, is a vestige of youth. It’s a symbol of a babyhood well-spent, a signal that the child is about to take its next step.
Like most abandoned toys it lies in the corner, waiting to be recycled or dumped. The artist reflects on this fragment of lost innocence, while asserting that it is the Pop artist himself who must evolve, to carry on with his task. It’s a time for joyful pastimes, and new objects – to hit the accelerator, and play.
This is a real note to self.
#4 THE BIG APPLE
Print No. 4 in the Fringe Facsimile series is released on September 11 and is a direct reference to The Big Apple. By shifting focus to New York and American corporate culture, on this symbolic day, Fringe investigates whether the golden ratio, or the divine proportion as it’s called, continues to deliver on our artistic and cultural dreams. The equations add a fun, but cryptic, element of inquiry: in order to succeed would you bring an apple for teacher, to school?
#5 IS ART REALLY ANYTHING YOU CAN GET AWAY WITH?
Fringe Facsimiles are brought together in a series of large colour prints by an artist forever questioning the boundaries, and bullshit scenarios, of contemporary art.
Andy Warhol’s 1967 banana screen print, created for The Velvet Underground’s first vinyl album, is shamelessly plagiarised, seemingly answering the question: ‘Yes, Art can be everything you can get away with.’ Fringe brilliantly plays on the irony of presenting unlimited possibilities within a limited print edition.
Art lovers, and independent rock music lovers, will know that the banana image was the cause of a copyright lawsuit by the musicians Lou Reed and John Cale, against the Andy Warhol Foundation, in 2012. Provocateur Fringe steps into the fracas with his own remix of pop art’s fruity icon, now adorned with a Coca-Cola logo, amended to reflect the horrors of Ebola, and a male toilet sign figure holding up the whole design.
For Fringe the sky is the limit, and his artistic practice knows no limits at all.
#6 ELEVEN ELEVEN
FRINGE FACSIMILES is a series of colour prints, rolled out monthly over a year, by an artist forever exploring the fault-line between Pop and Life. Pop Art may depict a wonderful world of heroes and heroines, but FRINGE is here to remind us that the most heroic acts happen, not in another universe, but right here at home. Print No.6 in the series describes the games parents play to feed their kids. Anyone who’s flown a spoon into a baby’s open mouth will know the drill. But there’s more: FRINGE’s signature fried egg plays a starring role. Its yolk rises, and falls into its white albumen like an eclipse. Dated 11/11, the print is an abstract portrayal of suburban bliss. The FRINGE FACSIMILE series of prints is the artist’s most personal work to date, marking a departure from his epic, unique works about global popular culture. Moving to smaller statements about the pursuit of happiness, through direct address, FRINGE shifts focus from Pop to real life.
#7 MEIN EYGENE OIGEN
As FRINGE’s year long project (one print a month) rolls out, a couple of things have become apparent: 1. Texts are heavily influenced by the social media. 2. The works obsess about the present, a big preoccupation in Pop Art.
FRINGE’s forms take their cue from graffiti and graphic art. Each print functions as a pop poster with a message. And now he turns his eye to the eye chart. Or the chart of the mind’s eye to be exact.
Collectively, we may have seen the catastrophic year ahead coming. But we chose to respond in so many different ways, to make the crisis visible, that we pulled in opposite directions.
As 2020 draws to a close we remember how it screwed us. The new artwork makes reference to the small print. Like a contract we signed unwittingly, we are now bound by sinister little clauses we cannot escape from.
But if you look real close you will see how art can take away the blind spots.
#8 AUTHORITY VS VELOCITY
FRINGE’s latest full colour print is yet another milestone in his year long project of offering a single editioned work every month, as a journey of the heart.
His latest print, titled Authority vs Velocity, is a twisted portrait of a Stormtrooper, decorated with Damien Hirst’s polka dots. It references a 2.2 metre mixed media earlier work, about the obtrusive and seductive pull of power.
In this anarchic, but propagandist image, from the global popular culture, we are asked to pay lip service to the Sovereign (Queen Elizabeth II), whose ancient currency still rules the waves.
January is the month of renewal — but in the common human experience it is also one of recommitment to established values. And a return to the old life.
The print text questions the difference between ‘remember’ and ‘recall’. The overall tone of nostalgia is enhanced by the use of gold leaf, reminding us of past masterpiece; and paying homage to one of Fringe’s idols, Gustav Klimt, with his iconic work Portrait of Adele Bloch-Bauer.
ART AGAINST COVID-19
A digital exhibition in support of the people of Alex
To receive this catalogue on what’s app please send a message on WhatsApp to 0824129210
The Daville Baillie Gallery, at Victoria Yards in Johannesburg, is acutely aware of the dangers to the aged and disabled in Alexandra Township, in the present time of covid19.
In response we, and our devoted artists, are donating 50% of the proceeds of sales to the Alexandra Society for the Care and Welfare of the Aged and Disabled Persons. The renowned society – founded by Linda Twala, known as the ‘Father of Alex’ – is a cornerstone of the community, distributing vital aid to the needy.
Joining us in this campaign is our partner National Pride based in Soweto, a South African manufacturer and distributor of surgical masks and diapers, and other health and sanitary products. Ours is a developing support system that we are confident will benefit the aged and disabled, and their caregivers. These are people who may not be able to travel to commercial centers due to the present lockdown, health issues and financial constraints.
We at the Daville Baillie Gallery, with our artists and partners, are hugely concerned for the wellbeing of the aged and disabled communities in Alexandra township. We are hoping that by making these essential products available, we will alleviate burdens while acknowledging our shared destinies, in this time and in future. We will be exploring the possibility of taking this project forward, beyond the Covid-10 era.
We invite you to join us in ensuring the success of this important endeavour.
PROFILE OF NATIONAL PRIDE
National Pride (Pty) Ltd. is a proudly South African personal care business. A manufacturer of baby and adult diapers, as well as sanitary products, the company supplies both the local and export markets. The National Pride product stable includes the Baby Panda, Absorbers, Baby Time and Simply Dry brands.
DAVILLE BAILLIE GALLERY CONTRIBUTING ARTISTS
FRINGE | Gift Msane | Jimmy Law | Nomvula Hoko | Luzuko Dayile | Nicolene Joffe | Andrew Ntshabele | Mfundo Mthiyane | Gerhard Buckholz | Xana Abreu | Steve Maphoso | Dumile Feni | Nep- | Auguste | Ari Hersch | Jason Bronkhorst | Joe Suzuki | Zolile Phetsane | Leila Batha | Solomon Mugutso Thabiso Dakamela.
NO SERIOUSLY
The Daville Baillie Gallery
Daville Baillie Gallery
presents
NO SERIOUSLY
An extraordinary contemporary art experience by FRINGE, South Africa’s undisputed King of Pop
1 MARCH TO 2 APRIL 2020
We are pleased to announce that FRINGE’s new exhibition NO SERIOUSLY will happen in his resident gallery space in Johannesburg, the Daville Baillie Gallery in March.
South Africa is fortunate to have an artist of the ilk of FRINGE, a sly and exuberant commentator on the times in which we live.
The paintings, sculptures and prints created by FRINGE take as their beginning point the ubiquitous popular culture of a now-globalised world. The title of the show provides a clue as to the artist’s present outlook: an exploration of the tension between high art and commercial popularity.
FRINGE has a totally unique and fresh approach to comic characters and situations that people of all backgrounds, and cultures, can relate to. Mickey Mouse, Superman and Popeye are household names almost everywhere on earth. As brands they are valued in billions, and that is fair game for FRINGE.
His new works extend his major preoccupations: fame and fortune, and conspicuous consumption. Generally, the art of FRINGE takes into account the universal pop culture of aspiration and envy and turns it on its head. The clash of icons and symbols causes a resounding visual explosion that tickles the senses and leaves one reeling with delight.
NO SERIOUSLY will further the artist’s individualistic approach to exhibition, at Johannesburg’s acclaimed Victoria Yards art development. It will present a multi-layered, sensory experience intended to provoke and amuse.
The artworks of FRINGE have undergone a remarkable journey given that the artist is anonymous. The present collection bears testimony to his phenomenal rise as an enigmatic figure on the South African art landscape.
Interview with FRINGE
FEBRUARY 2020
What have you been doing since your last show?
Experimenting with notions of horror and humor, and thinking about what makes for good composition. Spending some time with my dealer from Europe just to kind of get the feel for the market there, like in Germany where things have gone quite well. We had two exhibitions in a great big schloss, it’s a public venue with the ability to host private exhibitions also.
But on a more serious note, I’ve been like in between issues in my life. On the one hand the drive to be an artist comes completely naturally to me, but on the other hand it sometimes feels like a wart that’s stuck on me somehow, that I need to get off.
I suppose that is why I went for the anonymity thing in the first place because I don’t really know if I’m cut out to be a major player in the art world as it is.
Well, what is it that puts you off? Have your reasons for being anonymous stayed consistent throughout the last five years that you’ve been producing work under this pseudonym?
Obviously, this way I don’t have to make any overtly personal or political statements. Although there are some who say that all art is overtly personal and political. But in Jo’burg it all becomes very personal and that is something I am happy to stay away from: the social media and the need to talk about my work endlessly. That is what my gallery, the Daville Baillie Gallery is there for. I have the privilege of being able to just close myself off and dream up these epic paintings and sculptures. Sometimes I feel like the mad professor…
Let’s talk about what that is, these days, as you prepare for your third solo exhibition titled NO SERIOIUSLY.
Paintings about the size of a bedroom window. The proportion is very important to me because I do see my work in a domestic setting. I’m aware that they play with the decorative element of pop art but I also want them to be unsettling in a way that you can’t pin down. I want my pictures to remind you that you are alive, here and now, in the early 21stCentury that is really still recovering from the 20thCentury.
How does that work? Is it because what you’re doing is showing us the icons of our youth?
No, not only that. Yes, and that of course. But I have a feeling that this whole comic world seems to come across as something true to us because we are brought up with it from such a young age. And it is so much a part of our concentration and distraction as young people that we take it as a kind of basic truth. We just believe in the power of popular culture and we buy into it without asking questions about it. But at the same time it lies on the floor and gets trampled on in newspapers and comics. I like it when it gets elevated to a higher form of art – and that’s why I think I fit in with the Daville Baillie Gallery that has this iconography going on from artists all over the world.
And is that why the show is called NO SERIOUSLY?
Yes, for sure. It’s called NO SERIOUSLY because I am able to take all these heroes and anti-heroes that we don’t take very seriously and put them on the walls, framing them in the context of a more serious art.
BIOGRAPHY OF FRINGE
Born in 1976 in Johannesburg, South Africa, the artist who goes by the pseudonym Fringe was educated in the Natal Midlands. Thereafter he studied design in Cape Town.
After plying his trade with various agencies, in 2003 he shifted his focus to art production, experimenting with notions of objectivity and subjectivity within the confines of the gallery space.
In 2015, after more than a decade of success in advertising, Fringe moved to New York to absorb an alternate train of thought. With a newfound understanding of the importance of communication through street art, in 2016 he returned to South Africa to begin creating unique artworks based on pop symbols, advertising campaigns and graffiti techniques.
The year 2017 was a breakthrough for Fringe. In April he held his first solo exhibition at the Daville Baillie Gallery in Norwood, Johannesburg. And he began to gain wider recognition beyond South Africa and, with the support of an agent in Luxembourg he found an international base. His work has begun to sell in London and Amsterdam.
In September 2017 an artwork by Fringe was sold in London on an auction to benefit the African Ukuthemba Foundation. The work was auctioned by the Irish celebrity Graham Norton, and in the process the art of Fringe received extensive exposure abroad.
In 2018 he held a sold-out Solo exhibition with Desom Wine Estate in Luxembourg to commemorate the 70th anniversary of Porsche.
Fringe held his second, sold out solo exhibition, titled Don’t Blink, at the Daville Baillie Gallery at Victoria Yards in Johannesburg, in September 2018.
In October 2019 Fringe held a solo exhibition at the prestigious Schloss Monaise in Trier, Germany and a second artwork was auctioned in London and sold for a record high.
Bram Reijnders, Thrill of Life, mixed media, 2019
PRESS RELEASE
BRAM REIJNDERS | NO MORE BLAH BLAH
7 APRIL – 27 APRIL 2019 AT DAVILLE BAILLIE GALLERY
4 APRIL – WERKSMANS ATTORNEYS JHB
Famous Dutch pop artist Bram Reijnders presents NO MORE BLAH BLAH at the Daville Baillie Gallery as his first solo exhibition in South Africa.
We are privileged and overjoyed to host this new series of large sculptural works by an artist preoccupied with global pop culture, and the icons of fame. NO MORE BLAH BLAH is the result of years of experimentation and production by Reijnders as he explores everyday urban spaces, the extraordinary found in the ordinary, and the self-deception that comes with the desire for glamour and success.
NO MORE BLAH BLAH comprises 18 major wall pieces by Reijnders who has traveled the world photographing and assembling images and objects of specific time and place. His imaginary reconstructions of spaces — particularly fragmented walls — reveal a tension between illusion and reality, creation and decay. Documentary photography battles advertising and the popular media to address the noise of commerce and social networks.
As Reijnders says of the title of his new show, “We live in a world with a lot of opinions. And I think sometimes we -– including myself –- should shut up and listen.”
In NO MORE BLAH BLAH we take a wild trip with the artist into the joyful delirium of contemporary pop art.
You are invited to the opening of our exhibition on 7 April from 11am as part of the First Sunday series of events at Victoria Yards in Lorentzville, Johannesburg.
BIOGRAPHY OF THE ARTIST
Bram Reijnders was born in 1974 in Eindhoven, the Netherlands. He currently works and lives in Rio de Janeiro. He is the owner of a major gallery in Eindhoven, Abraham Art.
Reijnders is an expert in showing us a surreal universe so much more beautiful than our reality through luscious women and cartoon figures taking up all your attention in a shameless promotion of extravagant poses, slogans and glitters. Mixing these with cartoonesque elements he describes his own work as “Much too much”.
Although he is in his first decades of artistic production, he is already much acclaimed and his work is represented by galleries in Los Angeles, Miami, Sao Paolo, Copenhagen, Amsterdam, Berlin Singapore, and now South Africa. He has been featured in over 15 international art fairs. Reijnders was best-selling artist at a recent New York art fair and he has shown his work alongside that of Andy Warhol and Roy Lichtenstein, as well as Christo.
IMAGE CAPTION: Angelo Accardi | DON’T RUN | 100cm x 150cm | Mixed Medium
DAVILLE BAILLIE GALLERY TO BE A TRULY INTERNATIONAL DRAWCARD IN THE SOUTH
ANGELO ACCARDI | DAVID KRACOV | DORIT LEVINSTEIN | FRED ALLARD | YOEL BENHARROUCHE | EMANUELE TOZZOLI | XANA ABREU | BRAM REIJNDERS
The Daville Baillie Gallery in Johannesburg is known for its unorthodox approach to exhibiting some of the finest new talents around.
Functioning as a space for free engagement in the arts, the gallery has become synonymous with experimentation and boundary breaking partnerships. And there are exciting developments on the horizon.
As 2019 approaches, we are pleased to announce that Daville Baillie Gallery has enlarged its offer to begin showing works by some of the art world’s major stars. These are artists whose work has found resonance with our mission to present contemporary expressions that convey an optimistic and colorful view of life.
Angelo Accardi, David Kracov, Dorit Levinstein, Fred Allard, Yoel Benharrouche Xana Abreu , Bram Reijnders and Emanuele Tozzoli create refined works with humour that is edgy, and with an insightful take on the global present.
Our new partnerships will introduce a select group of renowned artists to local audiences and collectors. All are invited to experience, with us, these truly international, sought-after artworks.
An inaugural group exhibition will be held in early 2019.
JOHANNESBURG GALLERY
+27(61) 4660451 – INFO@DAVILLE.CO.ZA
Artist: FRINGE
Title: LUST
Media: Mixed Media Painting
Size: 150cm x 150cm
Artist: Bram Reijnders
Title: Untitled
Media: Mixed Media Painting
Size: 130cm x 130cm
Artist: Angelo Accardi
Title: DON’T RUN
Media: Oil Acrylic and Ink Painting
Size: 100cm x 150cm
Artist: David Kracov
Title: GO DUCK YOURSELF
Media: Shadow Box
Size: 57cm x 57cm
Artist: Dorit Levinstein
Title: THE BEATLES
Media: Aluminium Free Standing Sculpture
Size: 89cm x 18cm x 30cm
Artist: Dorit Levinstein
Title: MARILYN MONROE
Media: Bronze Free Standing Sculpture
Size: 60cm x 45cm x 29cm
Artist: Yoel Benharrouche
Title: LES SENTEURS DU PARADIS
Media: Lacquer on metal
Size: 100cm x 80cm
Artist: Fred Allard
Title: ELEPHUNK
Media: luxury Sculpture – Compressed Resin
Size: 56cm x 37cm x 28cm
for information
info@daville.co.za
Victoria yards | Lorentzville
EXHIBITIONS | CALENDAR
DAVILLE BAILLIE GALLERY IN 2019
January / February: Eden artists
March: Bram Reijnders
: Yolanda Mazwana / Benon Lutaaya
April: Greatjoy Ndlovu / Azail Langa
May: Showcase
For interviews, images and more information
MATTHEW KROUSE
email: matt@daville.co.za
+27(61) 4660451 – INFO@DAVILLE.CO.ZA
Artist: Alec Monopoly
Title: MONOPOLY MICKEY MOUSE WITH MONEY BAG
Media: Mixed Media Painting
Size: 92cm x 122cm
Artist: Angelo Accardi
Title: IN MY HOUSE
Media: OIL ACRYLIC AND IK PAITIG
Size: 100cm x 150cm
Artist: David Kracov
Title: GO WITH THE FLOW
Media: 3D Metal Wall Sculpture
Size: 57cm x 130cm
Artist: David Kracov
Title: THE BOOK OF LIFE
Media: 3D Metal Wall Sculpture
Size: 60cm x 45cm x 50cm
Artist: Dorit Levinstein
Title: LOVE
Media: Aluminium Free Standing Sculpture
Size: 55cm x 110cm x 40cm
Artist: Yoel Benharrouche
Title: LE SECRET DE MES RÊVES
Media: Lacquer on metal
Size: 100cm x 80cm
Artist: Yoel Benharrouche
Title: UN VOYAGE A DEUX
Media: Lacquer on metal
Size: 100cm x 80cm
Artist: Fred Allard
Title: GOOD VIBES
Media: luxury Sculpture – Compressed Resin
Size: 54cm x 34cm x 28cm
